The art of Lucian Freud
Freud (1922-2011), whom some critics call one of the greatest portrait painters of the 20th century, came into his more recognizable, more textural style after his friend and fellow painter Francis Bacon encouraged him to paint more freely. Freud began using a thicker brush, and started to focus more on the flesh. His greatest works were nudes - some slim, others corpulent. People (as Freud put it) "stripped of (their) costume."
By CBSNews.com senior editor David Morgan
Born in Berlin, he and his Jewish family fled Nazi Germany in 1933 and moved to London. After a stint in the army, he went to art school. There, the grandson of Sigmund Freud began his own lifelong study of people - using not psychoanalysis, but paint.
Over six decades his output also included a number of self-portraits.
"Ninety-six percent of his work were portraits," said curator Michael Auping. Of the exhibition "Lucian Freud: Portraits," Auping said, "In a sense this is a retrospective of his life's work. And more than that, it's a visual biography of his life. . . .
"He would say to me, 'You know, Michael, if you're interested in the human condition, you have to study the human condition very, very carefully."
David Dawson, who was an assistant and a model for Freud, was asked what he liked about the paintings: "The humanity," he replied. "The tenderness of what it is to be a human, to be alive. It's about being alive."
Dawson described Freud as "Driven, single-minded. There'd always be a sitter every morning, seven days a week, every day of the year. He'd rest in the afternoons. And then there'd be another - a nighttime picture - in the evenings."
Freud's subjects sat for hours each day, every day. His portraits took months, even years to complete, with results often less than complimentary. Freud didn't care. His goal wasn't to please his subjects . . . and for that reason, he rarely accepted commissions.
For more info:
"Lucian Freud: Portraits" at the Modern Art Museum of Fort Worth (through Oct. 28, 2012)
By CBSNews.com senior editor David Morgan