Best movies of 2012

Directing just his third feature, Ben Affleck has come up with a seamless blend of detailed international drama and breathtaking suspense, with just the right amount of dry humor to provide context and levity. He shows a deft handling of tone, especially in making difficult transitions between scenes in Tehran, Washington and Hollywood, but also gives one of his strongest performances yet in front of the camera. The story of a rescue during the 1979 Iranian hostage crisis sounds like eat-your-vegetables cinema, and mixing it with an inside-Hollywood comedy sounds impossible, but Affleck and screenwriter Chris Terrio pull it all off.

By AP Movie Critic Christy Lemire.

"Beasts of the Southern Wild''

This is sheer poetry on screen: an explosion of joy in the midst of startling squalor and one of the most visceral, original films to come along in a while. The story of a little girl named Hushpuppy (Quvenzhane Wallis) living with her daddy on a remote, primal strip of eroding land in the southernmost reaches of the Louisiana bayou is so ambitious and so accomplished, it's amazing that it's only director Benh Zeitlin's first feature. His film is at once dreamlike and brutal, ethereal yet powerfully emotional.

By AP Movie Critic Christy Lemire.

"Skyfall"

One of the best James Bond films ever starring the best Bond yet in Daniel Craig. It's also the most gorgeous installment in the 23-film franchise, with Sam Mendes directing and Roger Deakins as cinematographer. It's full of the requisite thrills but also complicated and meaty, featuring an agent who isn't always slick and doesn't always have the answers in hunting an elusive cyberterrorist (a fantastic Javier Bardem).

By AP Movie Critic Christy Lemire.

"Holy Motors''

This movie is just straight-up nuts, in all the best ways. Writer-director Leos Carax's journey provides a joyous, surprising and darkly funny exploration of all the best cinema has to offer. Yes, this is a capital-A art film, one that challenges the viewer and leaves a lot of room for interpretation, but that's part of the adventure. Denis Lavant gives a tour-de-force performance, assuming nine different roles as a mysterious man who travels around Paris in the back of a limousine all day, carrying out various assignments. Hop in and buckle up.

By AP Movie Critic Christy Lemire.

"Zero Dark Thirty''

A huge achievement from both technical and storytelling perspectives. Following the Oscar success of "The Hurt Locker,'' director Kathryn Bigelow reteams with writer Mark Boal to tell an even larger and more complicated story: the decade-long hunt for Osama bun Laden. The attention to detail, to getting it right each step of the way, is evident in every element. And Jessica Chastain is relentless and self-possessed in a rare leading role as a young CIA officer on the case.

By AP Movie Critic Christy Lemire.

"The Master"

Paul Thomas Anderson, long a master himself of technique and tone, has created a startling, stunningly gorgeous film shot in lushly vibrant 70mm, with impeccable production design and powerful performances from stars Joaquin Phoenix, Philip Seymour Hoffman and Amy Adams. But this story of a wayward man and the charismatic cult leader who guides him which may or may not have been inspired by Church of Scientology founder L. Ron Hubbard is also his most ambitious film yet.

By AP Movie Critic Christy Lemire.

"The Imposter"

A gripping documentary about a missing boy filled with the kind of twists, turns and dramatic character revelations of a page-turner mystery. Director Bart Layton takes a story that was already fascinatingly weird to begin with and makes it even more compelling by structuring it as a shadowy film noir, offering information in expertly paced, precisely measured amounts to maximize suspense.

By AP Movie Critic Christy Lemire.

"Moonrise Kingdom''

If you love Wes Anderson, you'll love this: The best of what he can do is vibrantly on display. The screenplay, which he co-wrote with Roman Coppola, has resulted in his sweetest and most sincere live-action movie since the one that remains his best, 1998's "Rushmore.'' The contradiction inherent to all of Anderson's films the juxtaposition of the meticulous artificiality of the settings and the passionately wistful emotions that are longing to burst free is at its most effective in a while in this tale of first love.

By AP Movie Critic Christy Lemire.

"Oslo, August 31st''

A film of quietly intense precision and vividly honest humanity. Anders Danielsen Lie gives one of the great, underappreciated performances of the year as a heroin addict who's allowed to leave rehab for the day to head into the Norwegian capital for a job interview. Instead, he wanders around visiting old haunts, reconnecting awkwardly with friends and facing his demons. It's a performance of both subtlety and darkness, as director Joachim Trier leads him down an unpredictable and poignant path.

By AP Movie Critic Christy Lemire.

"This Is Not a Film''

Veteran Iranian filmmaker Jafar Panahi's homemade documentary is simultaneously depressing as hell and brimming with hope and defiance. With its stripped-down aesthetic, it finds beauty in the mundane and even boring details of daily life. And it's an inspiring must-see for anyone who feels the urgent need to create something beautiful and meaningful, regardless of the cost. Panahi shot it over the course of a day in his Tehran apartment while under house arrest and had it smuggled out in a cake. The most modest film on the list but also the most important.

By AP Movie Critic Christy Lemire.

"Life of Pi''

A film about a youth alone on a lifeboat with a Bengal tiger has no business working. But Ang Lee adapts Yann Martel's introspective novel with inspired narrative wiles and glorious visuals presented in 3-D that lovingly enfolds and enlarges the action. Newcomer Suraj Sharma is a marvel as the teen cast adrift. And the film richly explores our cathartic need to tell tales, its dual ending asking a lady-or-the-tiger question: Which story do you prefer, the one of genuine horror or the one of hopeful, improbable possibility?

By AP Movie Writer David Germain.

"Searching for Sugar Man"

Imagine the bitterness of the true artist who fades back to obscurity after being on the verge of stardom. Now imagine a soul so noble that bitterness never enters the picture. That's a guy who truly deserves another chance. Singer-songwriter Rodriquez gets just that as Malik Bendjelloul's inspiring documentary recounts apocryphal rumors about his fate then reveals what really happened after his brush with success in the 1970s. To paraphrase Joey the Lips in ``The Commitments,'' success for Rodriquez would have been predictable. The way it turned out is poetry.

By AP Movie Writer David Germain.

"Lincoln"

AP Photo/DreamWorks/Twentieth Century Fox

Few performances qualify as monumental. That's the best word to characterize Daniel Day-Lewis as Abraham Lincoln, though. He vanishes into the president's awkward, folksy, melancholy spirit, creating an unforgettable portrait of greatness that pretty much puts to rest any thought of another actor trying his hand at a serious portrayal of Lincoln for a good long while. Steven Spielberg eschews the battlefield for a talky yet affecting look at Lincoln's final months. America couldn't have done without Lincoln, and Spielberg couldn't have done without Day-Lewis.

By AP Movie Writer David Germain.

"Looper"

For someone who thinks Bruce Willis' "Twelve Monkeys'' is the defining time-travel flick, it's irresistible to see him in another clever, careening tale of time-hopping. Joseph Gordon-Levitt wonderfully channels the younger Willis as a hit man whose latest assignment is to snuff his older self, in a perverse retirement system where the mob of the future eventually has its assassins kill off themselves. Writer-director Rian Johnson has concocted a rare thriller whose brains equal its action, telling the story with great style and provocative irony.

By AP Movie Writer David Germain.

"Rust and Bone''

Jacques Audiard delivers one of the oddest of screen couples in this deeply involving and completely unpredictable romantic drama about a whale trainer (Marion Cotillard) who loses her legs in an orca accident and a negligent single dad (Matthias Schoenaerts) training as a mixed martial-arts fighter. Only in a movie would these two fall in love more likely in a bad movie. But Audiard and his devoted stars find so many moments of grace and pathos that the relationship grows from tenuous to genuine with complete conviction.

By AP Movie Writer David Germain.

"Jeff, Who Lives at Home''

The Duplass brothers' man-child comedy is a rumpled sweatshirt of a movie. When Jason Segel, as a completely charming pothead, finally rises to the occasion, it's strangely moving.

AP Entertainment Writer Jake Coyle.

"West of Memphis"

This is a vote not only for a film, but for artists who joined in protest to save three men from prison one from Death Row after they were convicted in the 1993 slayings of three Cub Scouts. Inspired by "Paradise Lost,'' an earlier documentary about the case, Peter Jackson and wife Fran Walsh bankrolled their own investigation and produced this new film by Amy Berg that calls into question the case built by prosecutors. The story's enthralling, the climax triumphant.

AP Movie Writer David Germain.

"Amour"

It's a rare thing to be in the hands of a master working at the top of his game. Michael Haneke's film about an aging Parisian couple and the intersection of tenderness and cruelty is devastating in both its story and execution.

AP Entertainment Writer Jake Coyle.

"Premium Rush''

How about Joseph Gordon-Levitt's year? Aside from roles in "Lincoln'' and muddled but still thought-provoking "The Dark Knight Rises,'' he also starred in the excellent time-travel puzzle "Looper'' and this seemingly forgettable but really quite fun genre pic about an elusive bike messenger. There may not have been anything as much fun at the movies this year as watching Michael Shannon as a corrupt, comically reckless cop disgusted by his ignoble two-wheeled prey.

AP Entertainment Writer Jake Coyle.

"Not Fade Away"

I never knew the '60s but I suspect David Chase's first film has finally after countless more extreme stories nailed something authentic about the decade and about rock and roll's atom-bomb-sized impact in suburban homes.

AP Entertainment Writer Jake Coyle.